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MASTER’S DEGREE PROGRAMME IN ENGLISH (MEG)
Term-End Examination December, 2025
MEG-02 : BRITISH DRAMA
Time : 3 Hours Maximum Marks : 100
Note : Answer question no. 1 which is compulsory and any four from the remaining questions. All questions carry equal marks.
1. Critically comment on any four of the following passages with reference to the context, in not more than 150 words :
(a) Hell hath no limits, nor is circumscribed
in one self-space, for where we are is Hell,
and where hell is, there must we ever be.g
(b) But you have no idea how frightfully
interesting it is to take a human being and
change her into a quite different human
being by creating a new approach for her.
It’s filling up the deepest gulf that
separates class from class and soul from
soul bed, to listen to him talking or reading
to me, I had to fight back my tears.
(c) They know and do not know, what it is to act or suffer.
They know and do not know, that action is suffering.
And suffering is action. Neither does the action suffer.
Nor the patient act. But both are fixed.
(d) Sweet Helen, make me immortal with a kiss.
Her lips suck forth my soul : see where it flies !
Come, Helen come, give me my soul again.
(e) Here will I dwell, for heaven is in these,
lips,
And all is dross that is not Helena !
I shall make a duchess of this draggletailed guttersnipe.
2. Comment on the use of a play within the play in „A Midsummer Night‟s Dream‟.
3. Critically examine the significance of Hamlet‟s soliloquies with reference to the introspection and soul-searching he goes.
4. Bring out the nature of tragic conflict of Dr. Faustus.
MEG 02 British Drama Question Paper June 2025 Exam
5. Examine the dramatic concept of tragic flaw with reference to Elizabethan tragedy.
6. Discuss the unique aspects of the structure of Waiting for Godot with suitable/appropriate examples.
7.Critically analyse the Gender issues in A Midsummer Night’s Dream with examples of Shakespearean treatment of the subject.
8. Discuss Doctor Faustus as a tragedy and relate it to the predicament of modernist hero
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